Superimposed against the motifs in this artwork is, Jangarh Singh Shyam. Taking inspiration from the rhythmic vibrations in most Adivasi music, his artworks were crafted with intricate dots, dashes and waves, a distinctive style which he created, known today as ‘Jangarh Kalam’. Choti Tekam, the artisan behind this art plate, was inspired to start her painting career after being introduced to numerous artists' works in Bhopal.

This art plate explores the tale of Bada Dev, the ultimate creator, in Gond folklore, choosing the first Pardhan. The artwork highlights important motifs like Parsapen which together represent masculine and feminine power, and the power of creation. Dilip Shyam, the artisan behind this art plate, has been practising Gond art for the last 25 years and has recently been felicitated with a State Govt. Award.

Superimposed against the motifs in this artwork is, Jamini Roy, an artist who was intimately involved in sculpting the future of the Kalighat art form. Amidst the turbulent landscape of the British Raj, Jamini Roy, turned his attention to satirical representations of the ruling class, depiction of rural India and Santhal tribe’s culture. Rupsona Chitrakar, the artisan behind the art plate, learnt the art style from her grandmother and father. The distinguishing features of her drawings are the eyes and the way she outlines her drawings.

This art plate is inspired by the legend of Sati and the creation of 51 Shakti Peethas emerging from parts of India where her different body parts fell. The art form, also depicted themes like the changing station of women and people resistant to these changes were portrayed in subordinate positions to them. Suman Chitrakar, the artisan behind the artwork, specialises in Bangla Patta Chitra and his work has been showcased worldwide through various exhibitions